![]() This is, of course, known as parallel compression.Īll settings for I/O routing are the same. The next screenshot is the same thing but this time I am using a compressor. Again, because what I trying to achieve, this was acceptable. And again, notice that the aux channel level is set to unity. When I do it this way, the saturation is set no higher than. Many times I will put a saturation plugin directly on a track. I have never set the saturation to 1.0, but because I am using it in a parallel situation I can get away with that. This is adding some harmonics which will emulate some analog equipment.Īgain, because of the type of processing I am doing, some of the settings are a little different from “normal” use. In the next screenshot I am using a saturation plugin. I did start with it all the way down, though, and brought it up slowly until it made a difference in the mix to my liking. Usually when doing parallel processing the channel fader is much lower. Because of the type of preset I used on the distortion plugin I could get away with this strong of a mix level. It just so happens that on the aux channel that has the distortion plugin, the channel fader is set quite high, -5 dB or so. Notice that on the bus send I set it to pre-fader send and that the volume fader is set to unity (0). On the original bass track I added a bus send (bus 1), routing it to a mono aux. To help bring it out in the mix better I added some distortion using parallel processing. In the screenshots below there is a synth bass track that wasn’t coming through the mix very well. Doing things this way allows the original signal to go to the main output, and then the parallel distorted signal is also being sent to the main output, but only the amount we desire to have. While playback is engaged, starting with the fader down all the way at infinity, slowly bring up the fader on the aux track until the distortion is heard. ![]() You can add a lot of distortion if you want! The channel fader for the aux track will most likely not be at unity (0). Using a bus send on the original track, send this to the new auxiliary track with distortion. On the 2nd track we add whatever effect we want to use, i.e. An auxiliary input track is created next to it, leaving us now with two tracks. The basic process is done this way: the original sound is on one channel. Parallel processing is a non-destructive technique. Parallel processing relates more to generating a whole new sound by means of compressing, equalizing, filtering, distorting, re-amping, and generally using and abusing non time-based audio processors. Adding a reverb or delay effect is not regarded as parallel processing. It’s the blend of these two elements that constitutes the end result. Parallel processing, on the other hand, leaves the original sound unaltered but adds an amount of processed sound alongside it. We will add EQ, compression, saturation, etc. Typically this is what is done during the mixing phase. The sound passes through the processing and is altered before continuing to the output all you hear is the processed sound. In a processed sound, there is no amount of the original signal left. Both start out with an original, unaltered sound and signal path. The difference between processing a sound and parallel processing is simple. Here’s an example of before and after putting Nectar on one of my vocal takes.Blending processed and unprocessed sound is a classic and effective technique that can provide drastic improvements – and it can be done in every DAW! Or, do a combination of all the above! Nectar truly is a vocal processing powerhouse, allowing you to craft your own signature vocal sound all within one plug-in. Create up to eight vocal harmonies with the Harmony module. Use the Reverb module to give your vocal a greater sense of space. Turn on the Pitch module to apply pitch correction or change the formant of your vocal. In Nectar, you can also apply several creative effects to make your vocal really shine. Vocal Assistant always provides a great jumping off point and saves loads of time in the process, but you can always go in and edit any of the parameters Vocal Assistant has set in order to dial in your own, unique vocal sound. Thanks to inter-plug-in communication, you can also use the Unmask mode to clear space for your vocal in your mix. Vocal Assistant Vocal Assistant in Nectar was created to listen to your vocal like an extra set of ears-finding the best settings to create a custom vocal preset specifically for your vocal. Start by clicking the Vocal Assistant feature at the top of the plug-in window.
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